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Technical knowledges & human souvenirs about of analogue film practise resulting from the project RE MI

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expanding-film-communities:bains-argentiques:open-screens [2017/10/02 11:03] (current)
pierre created
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 +This was part of //​[[http://​www.mire-exp.org/​bains-argentiques/​|BAINS ARGENTIQUES]] ~ Nantes'​s International Film Labs Meeting - 4 >> 9 july, 2016//
 +
 +Thanks YAEL for handling theses open screens.
 +
 +----
 +
 +
 +====== OPEN SCREENINGS 1 - LA FABRIQUE ======
 +
 +Mardi 5 - 14h30 / Durée : 35 min
 +
 +LE LABO CRATER-LAB & MTK présente : GRAPHIC FILM SCORE Performance
 +By (MTK) Xavier Querel,​Loic,​ Joice Lainé and Etienne Caire in collaboration with Luis Macias ( CRATER-Lab)
 +
 +
 +====== OPEN SCREENINGS 2 - LA FABRIQUE ======
 +
 +__Mercredi 6 - 16h / Durée : 1h40__
 +
 +   
 +CHIN-CHIN of Deborah Philips / 16 mm / 24 ips / 2 min 30 / Sound \\
 +As the beginning of a block, a film happening.
 +
 +LEE FILTERS of Juliana BorinsKi / 35 mm on Digital / 1 min  / Silent\\
 +Gelatine Filters are exposed directly on the celluloïd.
 +
 +UNDER A SEA CAVE of Lasse Vario / Super 8 / 4 min 30 / Live Sound\\ ​
 +An expedition to a famous sea cave. A film developed with contaminated bleach.
 +
 +LEMRAIOS TABRAM of Collective / Monica Baptista / 16 mm on Digital / 15 min / Digital\\ ​
 +Experimental Film Poem. Bread mountains and fire.
 +
 +WORTGEFECHT of Magdalena Pfeifer / Super 8 / 3 min / Silent\\
 +Battle of worts to battle of plassis, between commando-skulptur,​ 2014-100 years welt neean.
 +
 +THE SPACE BETWEEN CITIES of Pip Chodorov / Digital / 5 min / Sound\\ ​
 +Exquisite corpse feature section shot in Seoul S. Korea.
 +
 +INTVALL TEST ROLLS 7-5 of Matt McWilliams / 16 mm / 24 ips / 8 min / Silent\\ ​
 +Test footage shot with a homemade intervalmeter and capping shutter.
 +
 +« RECORDATION » D’UN DIMANCHE APRES-MIDI of Raquel GANDRA / Super 8 on Digital / 8 min / Digital\\ ​
 +A flux of memories. Anyone’s or everyone background images.
 +
 +END OF SEASON of Alina TretinjaK / Super 8 / 4 min / Silent\\ ​
 +
 +TC1 of Ryder Thomas White / Super 8 on Digital / 5 min / Digital Sound\\ ​
 +TC1 is a meditation on space and travel through the lens of a classic north american road trip. It’s set to the soundtrack of passing broadcast radio stations.
 +
 +LIMITED SIGHT DISTANCE of Curt Heiner / 16 mm / 24 ips / 9 min / Silent\\ ​
 +An exploration of industrial recreation trails in Denver, CO.
 +
 +SURROUNDED of Arne Körner / 16 mm on DVD / 10 min / Digital Sound\\ ​
 +The center of the story is a vinyl pressing plant. A symphony of things.
 +
 +IN THE BACKYARDEN of Lindsay Mclatyre / 16 mm / 24 ips / 4 min 53 / Silent\\ ​
 +An in-camera exploration of a little girl, her garden…
 +
 +AUFGELÖST (DISSOLVED) of Stefanie Weberhofer / 16 mm on Digital / 4 min / Digital Sound\\ ​
 +A 16 mm Film first documents chemical process.
 +
 +FILM PERFORMANCE with Xavier Quérel / 16 mm / 15 min / Sound\\ ​
 +16 mm Film Performance in front of the audience.
 +
 +
 +====== OPEN SCREENINGS ​ - JARDIN C ======
 +
 +
 +__Mercredi 6 - 23h / Durée : 65 min__ 
 +
 +
 +
 +STUDIE ZUR FARBE of Lucas MAIA / 2 x 16 mm / 24 ips / 10 min / Digital Sound\\ ​
 +
 +
 +CINE-TRACTS – ETNA COLLECTIVE / 16 mm / 24 ips / 18 min / Digital Sound\\ ​
 +Collective film about the actual political movement in France since April 2016, questionning how to bring other images to the political movement and what’s making a political film today alone and collectively.
 +
 +
 +TB TX DANCE of Roger BEEBE / 16 mm / 24 ips / 2 min 30 / Optical Sound\\ ​
 +A film whose image of sounds are made entirely of laser toner from a regular office printer.
 +
 +
 +SANS-TITRE of Katiana MERIDJA / 35 mm / 24 ips / 10 sec / Silent\\ ​
 +Animation, grattage pellicule, évolution d’une petite forme abstraite. Jamais projeté. Surprise !
 +
 +
 +KAIROS of Stephano CANAPA & Elisa RIBES / 35 mm / 24 ips / 11 min / Dolby A\\ 
 +A Film Poem danced across mediterranean sea cost.
 +
 +
 +EXTRATERRITORIAL of KK / Digital File / 24 ips / 3 min / Digital Sound\\ ​
 +Landscape as an utility to meet life in it’s continous mutation.
 +
 +
 +SANS-TITRE (24 x H2O) of Thomas CHATARD & Antoine LEDROIT / 35 mm / 24 ips / 20 min / Sound\\ ​
 +Sans-titre (24 x H2O) is a 35 mm projection performance all edited with original altered movie trailer. Those distorted commercial frames reveal their materiality and take us to another cinematic environment. Fiction turns organic and rhythm.
 +
 +
 +
 +
 +
 +====== OPEN SCREENINGS 3 - LA FABRIQUE ======
 +
 +__Jeudi 7 - 11h / Durée : 1h30__
 +
 +
 +
 +
 +6 ff of 16 mm FILM STRIP ON LOOP  of Aditya H.MARTODIHARJO / 3 x 16 mm / 18 ips / 10 sec x … / Silent\\ ​
 +The shortest tenght of a 16 mm film can be turn on loop, questioning the limitation of this medium. To put it side by side, digital medium can achieve. In the end it trying to break the limitation of this medium, duration and presentation wise.
 +
 +
 +LES FABLES DE MONSIEUR GAUDART of Nadine TASCHLER / Digital / 39 min / Digital Sound\\ ​
 +A 16 mm documentary about the French Film Producer Marcel Gaudart who disappeared in Mexico in 1959.
 +
 +
 +END of Sydney SOUTHAM / 16 mm / 24 ips / 3 min / Digital Sound (Ipad)\\ ​
 +It’s the end of the world and only one man remains, with only his skateboard and his hallucinations to keep him company.
 +
 +
 +DERIVA of UNZALAB (COOLECTIVE) / Super 8 on Digital / 5 min / Digital Sound \\ 
 +This « very fast film » was made in 48 hour. It’s an urban trip inspirated by concept of derive by international situation.
 +
 +
 +IN THE TRAVELER’S HEART of DISTRUKTUR (Melissa DULLIUS & Gustavo JAHN) / 16 mm / 24 ips / 20 min / Optical Sound\\  ​
 +A traveller coming from the South, faces the wild nature in a journey to meet his double.
 +
 +
 +NIGHT VISIONS of Zoe KIRK-GUSHOWATY / 2 x 16 mm / 24 ips / 6 min / Silent\\ ​
 +
 +
 +VUE POINTE of Arne Körner / 16 mm on DVD / 24 ips / 11 min / Digital Sound\\ ​
 +The observation of a deserted Island.
 +
 +
 +BEFORE, AFTER, AGAIN of Zoe KIRK-GUSHOWATY / 2 x 16 mm / 24 ips / 7 min / Digital Sound\\ ​
 +
 +
 +====== OPEN SCREENINGS 4 - LA FABRIQUE ======
 +
 +__Vendredi 8  - 14h30 / Durée : 90 min__
 +
 +TREMBLING PALACE of Robert TODD (AgX) / 16 mm / 24 ips / 6 min / Optical Sound\\ ​
 +The world shivers in darkness, trembles in light.
 +
 +NOVA REMNANTS of Stefan GRABOWSKI (AgX) / Digital / 10 min / Digital Sound\\ ​
 +A new remnant consists of matter left behind by a cataclysmic nuclear explosion, causing the intense and sudden brightening of a star. Due to the relatively short timespan over which they occur, nova remnants generally no longer exist by the time their light seaches us on earth
 +
 +FILMKOOP WIEN TRAILER of Stefanie LIEBERHOFER / 16 mm / 24 ips / 2 min / Silent\\ ​
 +Shot on double 8 projected on 16 mm. Trailer of Lab.
 +
 +WHERE WE STAND of Lindsay MCINTYRE / Digital / 24 ips / 5 min / Digital Sound\\ ​
 +A painting portrait of…( ?!)
 +
 +HAY ALGO Y SE VA of Kimberly FORERO-ARNIAS (AgX) / 16 mm / 24 ips / 2 min 30 / Optical Sound\\ ​
 +Family footage is gathered and  sifted… 4.0 create a familiar yet estranging réunion.
 +
 +OUTER EAST HEAD LAND of Karl REINSALU / 16 mm on Digital / 10 min / Digital Sound\\ ​
 +Documentation of Toronto’s outer Harbour headlands which has become a vital bird migration area.
 +
 +THE GREAT EQUIPMENT MIGRATION of AgX FILM COLLECTIVE / 16 mm / 24 ips / 5 min / Silent\\ ​
 +Documentation of the move of an Oxberry Optical Printer and Bell Howell Model (contract printer from Process Reversal to AgX.
 +
 +VERLE LANOCHE of Andres JUARDO / Digital / 7 min / Digital Sound\\ ​
 +This film shows the ownings (found in the red district of Bogota in bad conditions) of Leon De Greiff, a Colombian Poet.
 +
 +HARVEST of Ethan BERRY / 16 mm / 24 ips\\ 
 +A film about a coal power plant as it is about to close.
 +
 +INTERVISTE MUTE A NIGUARDA of  UNZALAB (COLLECTIVE) / Super 8 Colour / 18 ips / 20 min / Live Music\\  ​
 +Mute interviews is a collective film of Unzalab that make series of portraits of resistant people of Niguarda, the neighbohood where we have the lab.
 +
 +DISTILLED MOTION of Stefan GRABOWSKI (AgX)/ 16 mm / 24 ips / 2 min / Silent\\ ​
 +A short scratch Animation.
 +
 +UN DOUBLE MOMENT DE POCHE SATURÉ of Laurent BERGER / 16 mm / 24 ips / 6 min / CD\\ 
 +Two person, who have their own camera, meet us. Two simultaneous actions in the same movie.
 +
 +FROM THE NOTEBOOK OF (in progress) of Craig SCHEIHING / 16 mm / 24 ips / 3 min 30 / Sound\\ ​
 +You never call me on mondays.
 +
 +
 +====== OPEN SCREENINGS - LA DEHALE ======
 +
 +__Samedi 9  - 23h / Durée : 1h30__
 +
 +
 +THE ARCHEOLOGIST,​ THE ARCHIVE & THE ALCHEMISTES of Maxime FUHRER / 16 mm (+ Digital) / Variable speed (+ 25 ips digital) / 20 min / Digital Sound\\ ​
 +The movie describes three ways of working with analog film today : the Archeologist recreates a lumiere projection, the Archiv preserves film and restores it digitally and the Alchemistes perpetuate and make evolve the practice of using film for making new films !
 +
 +REVEM NATURA of KK / Double Super 8 / 7 min / Silent\\ ​
 +Earth that is any something has no escape from heaven, that is nothing.
 +
 +DOTS FREQUENCY of Laurence BARBIER / 16 mm / 18 ips / 3 min / Optical Sound\\ ​
 +Flat print, dots picture making sound frequencies.
 +
 +SILLAGES #2  of Aurélie PERCEVAULT & Antoine LEDROIT / 16 mm / 18 ips / 5 min / Silent\\ ​
 +Sillages = zones de perturbations que laisse derrière lui un corps en mouvement dans un fluide. Espaces vides habités. Instants passés oubliés.
 +
 +KAREBET US STRANGE (« Jelmaan Buaya ») d’Azri HAIM / 16 mm / 18 ips / 5 min / Optical Sound\\ ​
 +This film presents indonesian Fighting Cult Cinema in glory area at open air cinema as an indonesian people entertainment in the year of 1970.
 +
 +LAST TIME I SAW YOU I THOUGHT YOU WERE SMILING of Aditya H.MARTODIHARJO / 16 mm / 18 ips / 2 min 15 / Silent\\ ​
 +35 mm found-footage of something not really clearly about what being treated with bleath to lower the clarity of it. Directly into the 35 mm négative, the film is scratched, cottage with 16 mm positive, then printed into 16 mm print stock. Questioning about film as a medium to hold reality. Is it right ? Or nothing can really capture the reality, as it’s always became a memory after a few seconds later.
 +
 +WILLIAMS of Mike PISO/ 16 mm / 24 ips / 5 min / Silent\\ ​
 +A work-in-progress on the printings of an outsider artist.
 +
 +RAIN DANCE of Alina TRETINJAK / 16 mm / 24 ips / 3 min / Silent\\ ​
 +
 +THE FOOTSTONES IN NIGHT WRITING of Emilija SKARNULYTE / 16 mm / 24 ips / 4 min 30 / Silent\\ ​
 +In the spring of 1986, Aldona lost her vision The nerves in her eyes were poisoned. Doctors claimed that it twas probably due to Cernobyl’s nuclear power plant.
 +
 +HAND-MADE of Magdalena PFEIFER/ 16 mm / 24 ips / 3 min / Silent\\ ​
 +Found footage film, contrast printing with flash-light.
 +
 +1 :​64.000.000.000 (ONE IN 64 BILLION) of Ryder Thomas WHITE / 16 mm / 24 ips / 2 min 40 / Optical Sound\\ ​
 +As part of Irish Film Collective’s « End of the World » Program, this film envisions a future where identity is rendered less relevant through dilution.
 +
 +FOUR DELICATE CONCERNS of Robert SCHALLER/ 16 mm / 24 ips / 5 min / Silent\\ ​
 +A sensual encounter between an abstracted nature and abstracted idea of what it means to touch.
 +
 +TRAZOO – FILM TO BE RECONSTRUCTED of Marek PLUCIENNIK / 16 mm B-W Neg Colour / 24 ips / Around 20 min / Silent\\ ​
 +Zoo Tr ais part performance part screeming.
 +
 +THE END of Amanda THOMSON / 16 mm / 24 ips / 7 min / Optical Sound\\ ​
 +The magnetic poles reverse, an end of the world tale in 3 parts. The film traces the progression of light from natural to electrical and finally chemical.
  
expanding-film-communities/bains-argentiques/open-screens.txt · Last modified: 2017/10/02 11:03 by pierre