This was part of BAINS ARGENTIQUES ~ Nantes's International Film Labs Meeting - 4 » 9 july, 2016
Thanks YAEL for handling theses open screens.
Mardi 5 - 14h30 / Durée : 35 min
LE LABO CRATER-LAB & MTK présente : GRAPHIC FILM SCORE Performance By (MTK) Xavier Querel,Loic, Joice Lainé and Etienne Caire in collaboration with Luis Macias ( CRATER-Lab)
Mercredi 6 - 16h / Durée : 1h40
CHIN-CHIN of Deborah Philips / 16 mm / 24 ips / 2 min 30 / Sound
As the beginning of a block, a film happening.
LEE FILTERS of Juliana BorinsKi / 35 mm on Digital / 1 min / Silent
Gelatine Filters are exposed directly on the celluloïd.
UNDER A SEA CAVE of Lasse Vario / Super 8 / 4 min 30 / Live Sound
An expedition to a famous sea cave. A film developed with contaminated bleach.
LEMRAIOS TABRAM of Collective / Monica Baptista / 16 mm on Digital / 15 min / Digital
Experimental Film Poem. Bread mountains and fire.
WORTGEFECHT of Magdalena Pfeifer / Super 8 / 3 min / Silent
Battle of worts to battle of plassis, between commando-skulptur, 2014-100 years welt neean.
THE SPACE BETWEEN CITIES of Pip Chodorov / Digital / 5 min / Sound
Exquisite corpse feature section shot in Seoul S. Korea.
INTVALL TEST ROLLS 7-5 of Matt McWilliams / 16 mm / 24 ips / 8 min / Silent
Test footage shot with a homemade intervalmeter and capping shutter.
« RECORDATION » D’UN DIMANCHE APRES-MIDI of Raquel GANDRA / Super 8 on Digital / 8 min / Digital
A flux of memories. Anyone’s or everyone background images.
END OF SEASON of Alina TretinjaK / Super 8 / 4 min / Silent
TC1 of Ryder Thomas White / Super 8 on Digital / 5 min / Digital Sound
TC1 is a meditation on space and travel through the lens of a classic north american road trip. It’s set to the soundtrack of passing broadcast radio stations.
LIMITED SIGHT DISTANCE of Curt Heiner / 16 mm / 24 ips / 9 min / Silent
An exploration of industrial recreation trails in Denver, CO.
SURROUNDED of Arne Körner / 16 mm on DVD / 10 min / Digital Sound
The center of the story is a vinyl pressing plant. A symphony of things.
IN THE BACKYARDEN of Lindsay Mclatyre / 16 mm / 24 ips / 4 min 53 / Silent
An in-camera exploration of a little girl, her garden…
AUFGELÖST (DISSOLVED) of Stefanie Weberhofer / 16 mm on Digital / 4 min / Digital Sound
A 16 mm Film first documents chemical process.
FILM PERFORMANCE with Xavier Quérel / 16 mm / 15 min / Sound
16 mm Film Performance in front of the audience.
Mercredi 6 - 23h / Durée : 65 min
STUDIE ZUR FARBE of Lucas MAIA / 2 x 16 mm / 24 ips / 10 min / Digital Sound
CINE-TRACTS – ETNA COLLECTIVE / 16 mm / 24 ips / 18 min / Digital Sound
Collective film about the actual political movement in France since April 2016, questionning how to bring other images to the political movement and what’s making a political film today alone and collectively.
TB TX DANCE of Roger BEEBE / 16 mm / 24 ips / 2 min 30 / Optical Sound
A film whose image of sounds are made entirely of laser toner from a regular office printer.
SANS-TITRE of Katiana MERIDJA / 35 mm / 24 ips / 10 sec / Silent
Animation, grattage pellicule, évolution d’une petite forme abstraite. Jamais projeté. Surprise !
KAIROS of Stephano CANAPA & Elisa RIBES / 35 mm / 24 ips / 11 min / Dolby A
A Film Poem danced across mediterranean sea cost.
EXTRATERRITORIAL of KK / Digital File / 24 ips / 3 min / Digital Sound
Landscape as an utility to meet life in it’s continous mutation.
SANS-TITRE (24 x H2O) of Thomas CHATARD & Antoine LEDROIT / 35 mm / 24 ips / 20 min / Sound
Sans-titre (24 x H2O) is a 35 mm projection performance all edited with original altered movie trailer. Those distorted commercial frames reveal their materiality and take us to another cinematic environment. Fiction turns organic and rhythm.
Jeudi 7 - 11h / Durée : 1h30
6 ff of 16 mm FILM STRIP ON LOOP of Aditya H.MARTODIHARJO / 3 x 16 mm / 18 ips / 10 sec x … / Silent
The shortest tenght of a 16 mm film can be turn on loop, questioning the limitation of this medium. To put it side by side, digital medium can achieve. In the end it trying to break the limitation of this medium, duration and presentation wise.
LES FABLES DE MONSIEUR GAUDART of Nadine TASCHLER / Digital / 39 min / Digital Sound
A 16 mm documentary about the French Film Producer Marcel Gaudart who disappeared in Mexico in 1959.
END of Sydney SOUTHAM / 16 mm / 24 ips / 3 min / Digital Sound (Ipad)
It’s the end of the world and only one man remains, with only his skateboard and his hallucinations to keep him company.
DERIVA of UNZALAB (COOLECTIVE) / Super 8 on Digital / 5 min / Digital Sound
This « very fast film » was made in 48 hour. It’s an urban trip inspirated by concept of derive by international situation.
IN THE TRAVELER’S HEART of DISTRUKTUR (Melissa DULLIUS & Gustavo JAHN) / 16 mm / 24 ips / 20 min / Optical Sound
A traveller coming from the South, faces the wild nature in a journey to meet his double.
NIGHT VISIONS of Zoe KIRK-GUSHOWATY / 2 x 16 mm / 24 ips / 6 min / Silent
VUE POINTE of Arne Körner / 16 mm on DVD / 24 ips / 11 min / Digital Sound
The observation of a deserted Island.
BEFORE, AFTER, AGAIN of Zoe KIRK-GUSHOWATY / 2 x 16 mm / 24 ips / 7 min / Digital Sound
Vendredi 8 - 14h30 / Durée : 90 min
TREMBLING PALACE of Robert TODD (AgX) / 16 mm / 24 ips / 6 min / Optical Sound
The world shivers in darkness, trembles in light.
NOVA REMNANTS of Stefan GRABOWSKI (AgX) / Digital / 10 min / Digital Sound
A new remnant consists of matter left behind by a cataclysmic nuclear explosion, causing the intense and sudden brightening of a star. Due to the relatively short timespan over which they occur, nova remnants generally no longer exist by the time their light seaches us on earth
FILMKOOP WIEN TRAILER of Stefanie LIEBERHOFER / 16 mm / 24 ips / 2 min / Silent
Shot on double 8 projected on 16 mm. Trailer of Lab.
WHERE WE STAND of Lindsay MCINTYRE / Digital / 24 ips / 5 min / Digital Sound
A painting portrait of…( ?!)
HAY ALGO Y SE VA of Kimberly FORERO-ARNIAS (AgX) / 16 mm / 24 ips / 2 min 30 / Optical Sound
Family footage is gathered and sifted… 4.0 create a familiar yet estranging réunion.
OUTER EAST HEAD LAND of Karl REINSALU / 16 mm on Digital / 10 min / Digital Sound
Documentation of Toronto’s outer Harbour headlands which has become a vital bird migration area.
THE GREAT EQUIPMENT MIGRATION of AgX FILM COLLECTIVE / 16 mm / 24 ips / 5 min / Silent
Documentation of the move of an Oxberry Optical Printer and Bell Howell Model (contract printer from Process Reversal to AgX.
VERLE LANOCHE of Andres JUARDO / Digital / 7 min / Digital Sound
This film shows the ownings (found in the red district of Bogota in bad conditions) of Leon De Greiff, a Colombian Poet.
HARVEST of Ethan BERRY / 16 mm / 24 ips
A film about a coal power plant as it is about to close.
INTERVISTE MUTE A NIGUARDA of UNZALAB (COLLECTIVE) / Super 8 Colour / 18 ips / 20 min / Live Music
Mute interviews is a collective film of Unzalab that make series of portraits of resistant people of Niguarda, the neighbohood where we have the lab.
DISTILLED MOTION of Stefan GRABOWSKI (AgX)/ 16 mm / 24 ips / 2 min / Silent
A short scratch Animation.
UN DOUBLE MOMENT DE POCHE SATURÉ of Laurent BERGER / 16 mm / 24 ips / 6 min / CD
Two person, who have their own camera, meet us. Two simultaneous actions in the same movie.
FROM THE NOTEBOOK OF (in progress) of Craig SCHEIHING / 16 mm / 24 ips / 3 min 30 / Sound
You never call me on mondays.
Samedi 9 - 23h / Durée : 1h30
THE ARCHEOLOGIST, THE ARCHIVE & THE ALCHEMISTES of Maxime FUHRER / 16 mm (+ Digital) / Variable speed (+ 25 ips digital) / 20 min / Digital Sound
The movie describes three ways of working with analog film today : the Archeologist recreates a lumiere projection, the Archiv preserves film and restores it digitally and the Alchemistes perpetuate and make evolve the practice of using film for making new films !
REVEM NATURA of KK / Double Super 8 / 7 min / Silent
Earth that is any something has no escape from heaven, that is nothing.
DOTS FREQUENCY of Laurence BARBIER / 16 mm / 18 ips / 3 min / Optical Sound
Flat print, dots picture making sound frequencies.
SILLAGES #2 of Aurélie PERCEVAULT & Antoine LEDROIT / 16 mm / 18 ips / 5 min / Silent
Sillages = zones de perturbations que laisse derrière lui un corps en mouvement dans un fluide. Espaces vides habités. Instants passés oubliés.
KAREBET US STRANGE (« Jelmaan Buaya ») d’Azri HAIM / 16 mm / 18 ips / 5 min / Optical Sound
This film presents indonesian Fighting Cult Cinema in glory area at open air cinema as an indonesian people entertainment in the year of 1970.
LAST TIME I SAW YOU I THOUGHT YOU WERE SMILING of Aditya H.MARTODIHARJO / 16 mm / 18 ips / 2 min 15 / Silent
35 mm found-footage of something not really clearly about what being treated with bleath to lower the clarity of it. Directly into the 35 mm négative, the film is scratched, cottage with 16 mm positive, then printed into 16 mm print stock. Questioning about film as a medium to hold reality. Is it right ? Or nothing can really capture the reality, as it’s always became a memory after a few seconds later.
WILLIAMS of Mike PISO/ 16 mm / 24 ips / 5 min / Silent
A work-in-progress on the printings of an outsider artist.
RAIN DANCE of Alina TRETINJAK / 16 mm / 24 ips / 3 min / Silent
THE FOOTSTONES IN NIGHT WRITING of Emilija SKARNULYTE / 16 mm / 24 ips / 4 min 30 / Silent
In the spring of 1986, Aldona lost her vision The nerves in her eyes were poisoned. Doctors claimed that it twas probably due to Cernobyl’s nuclear power plant.
HAND-MADE of Magdalena PFEIFER/ 16 mm / 24 ips / 3 min / Silent
Found footage film, contrast printing with flash-light.
1 :64.000.000.000 (ONE IN 64 BILLION) of Ryder Thomas WHITE / 16 mm / 24 ips / 2 min 40 / Optical Sound
As part of Irish Film Collective’s « End of the World » Program, this film envisions a future where identity is rendered less relevant through dilution.
FOUR DELICATE CONCERNS of Robert SCHALLER/ 16 mm / 24 ips / 5 min / Silent
A sensual encounter between an abstracted nature and abstracted idea of what it means to touch.
TRAZOO – FILM TO BE RECONSTRUCTED of Marek PLUCIENNIK / 16 mm B-W Neg Colour / 24 ips / Around 20 min / Silent
Zoo Tr ais part performance part screeming.
THE END of Amanda THOMSON / 16 mm / 24 ips / 7 min / Optical Sound
The magnetic poles reverse, an end of the world tale in 3 parts. The film traces the progression of light from natural to electrical and finally chemical.